Amelia Stevens

Architecture and the thoughtful curation of space and object. Having graduated with BA in Architecture from the University of Cambridge in 2017, she has since worked as a freelance set designer in the luxury sector and designed a small range of interior pieces due to be exhibited at the Radford Gallery in 2021. Her writing focuses on work at the intersection of Architecture, interiors, furniture design and art.

The Working issue:how rough music relates to raw architecture

Teasing Lampoon’s newly published Muscles Issue — The Elusive Modernist in conversation with Hamed Khosravi

‘Why Beauty Matters’ – Stefan Sagmeister balances philosophy with scientific research

The Claiming of Modern Milan and what to do with the legacy of a difficult heritage

1b, a Bar by Koenraad Dedobeleer ends at Maniera — the Belgian gallery founded upon Italian semantics

How architecture on an urban scale has been weaponized against people and protesters

Vitra Design’s director, Mateo Kries, reimagines the role of museums in post-pandemic society

Sussy Cazalet on designing rugs and wall hangings. «Rothko-meets-Mondrian-meets-Klimt»

A case study for Hermès: After two centuries below the water, an historic leather, reemerges preserved

Design Chronicles – Flos Chromie, lamps coming out from their homes

Ben Cullen Williams: Antarctica at the London Design Biennale 2021

Amelia Stevens

Lampoon issue 28

The Working issue:how rough music relates to raw architecture

«I visualize my work as a sculpture that is being refined and polished» – a rough dialogue between violinist Charlie Siem and architect Anne Holtrop on music and architecture

Amelia Stevens

Design & Architecture, Humanities, Lampoon Issue 26

Teasing Lampoon’s newly published Muscles Issue — The Elusive Modernist in conversation with Hamed Khosravi

The lithe social muscle of an early freelancer: «As a reader and later as a writer of his character, it was not difficult to imagine [Gabriel Guevrekian] in Gertrude Stein’s house or in a poetry session with Ernest Hemingway and F. Scott Fitzgerald»

Amelia Stevens

Humanities

‘Why Beauty Matters’ – Stefan Sagmeister balances philosophy with scientific research

«If you don’t like the term Beauty, you could replace it with intentional form». The graphic designer argues for the inclusion of Beauty in academic discourse

Amelia Stevens

Humanities

The Claiming of Modern Milan and what to do with the legacy of a difficult heritage

A regime at the mercy of international and private interests with the persistence of social structures forged in the pre-fascist period — in discourse with Professor Lucy Maulsby

Amelia Stevens

art, Exhibitions

1b, a Bar by Koenraad Dedobeleer ends at Maniera — the Belgian gallery founded upon Italian semantics

Following limited to no social gatherings, 1b played host to Bar Alto, Bar Basso — a night of Italian canapés and Negronis in honor of the famous Milanese bar

Amelia Stevens

Griffin Frazen

How architecture on an urban scale has been weaponized against people and protesters

Griffin Frazen on data visualization, 3D modelling and «using architectural thinking and technical skills to help people understand protests from a spacial perspective»

Amelia Stevens

Exhibitions

Vitra Design’s director, Mateo Kries, reimagines the role of museums in post-pandemic society

Director of the Vitra Design Museum, Dr. Mateo Kries: «Museums are not only reflecting social evolutions but seeing themselves as an active part in society»

Amelia Stevens

Humanities

Sussy Cazalet on designing rugs and wall hangings. «Rothko-meets-Mondrian-meets-Klimt»

How knowing the origin of your pieces helps to create a client experience that surpasses the act of buying something. «You just should care who’s made something and where it’s come from».

Amelia Stevens

Hermès

A case study for Hermès: After two centuries below the water, an historic leather, reemerges preserved

Acquired by Hermès in the Nineties, bundles of hardwearing Russia leather from the cargo hold of the Metta Catherina survive two centuries below the water for closer study

Amelia Stevens

Lampoon Issue 24

Design Chronicles – Flos Chromie, lamps coming out from their homes

The human brain perceives color as reflected light of varying spectral wavelength, associating it with personal and collective emotional responses – a phenomenon known as color-emotion synesthesia

Amelia Stevens

Digital intelligence, London

Ben Cullen Williams: Antarctica at the London Design Biennale 2021

«Our future as humans is so dependent on the future of the ice caps in the North and South poles» says artist Ben Cullen Williams

Amelia Stevens

lampoon magazine dot com

lampoon dot it

PROTOTIPO / STORE

lampoon magazine dot com

lampoon dot it

PROTOTIPO / STORE

Amelia Stevens

The Working issue:how rough music relates to raw architecture

Teasing Lampoon’s newly published Muscles Issue — The Elusive Modernist in conversation with Hamed Khosravi

‘Why Beauty Matters’ – Stefan Sagmeister balances philosophy with scientific research

The Claiming of Modern Milan and what to do with the legacy of a difficult heritage

1b, a Bar by Koenraad Dedobeleer ends at Maniera — the Belgian gallery founded upon Italian semantics

How architecture on an urban scale has been weaponized against people and protesters

Vitra Design’s director, Mateo Kries, reimagines the role of museums in post-pandemic society

Sussy Cazalet on designing rugs and wall hangings. «Rothko-meets-Mondrian-meets-Klimt»

A case study for Hermès: After two centuries below the water, an historic leather, reemerges preserved

Design Chronicles – Flos Chromie, lamps coming out from their homes

Ben Cullen Williams: Antarctica at the London Design Biennale 2021

Amelia Stevens

The Working issue:how rough music relates to raw architecture

Teasing Lampoon’s newly published Muscles Issue — The Elusive Modernist in conversation with Hamed Khosravi

‘Why Beauty Matters’ – Stefan Sagmeister balances philosophy with scientific research

The Claiming of Modern Milan and what to do with the legacy of a difficult heritage

1b, a Bar by Koenraad Dedobeleer ends at Maniera — the Belgian gallery founded upon Italian semantics

How architecture on an urban scale has been weaponized against people and protesters

Vitra Design’s director, Mateo Kries, reimagines the role of museums in post-pandemic society

Sussy Cazalet on designing rugs and wall hangings. «Rothko-meets-Mondrian-meets-Klimt»

A case study for Hermès: After two centuries below the water, an historic leather, reemerges preserved

Design Chronicles – Flos Chromie, lamps coming out from their homes

Ben Cullen Williams: Antarctica at the London Design Biennale 2021