Eugenia Pacelli

Art history student with a passion for artists’ books, photography and independent publishing. Graduated in Cultural Heritage Studies in Milano, she is now undertaking a Master’s Degree in History of Arts and Conservation of Artistic Heritage in Venice, with a focus in Contemporary art theory, critical studies, visual cultures and performing arts.

Paris Internationale 2023: eco-responsibility, shifting identities, hybridization, excess, eroticism

Green is burning: Andriu Deplazes’ first Italian solo show at Collezione Maramotti

Europe Matters: Walter Guadagnini discusses Fotografia Europea 2023 in Reggio Emilia

The Hyman Foundation, London: presenting the Centre for British Photography

ArtNoble Gallery, Milan: an implicit critic of what has been painted up until today

Art growing out of complexities. LIAF2022 curated by Francesco Urbano Ragazzi

Leiko Ikemura’s evocative imaginary: cosmic landscapes and hybrid figures

In conversation with McArthur Binion: «my work is tremendously about hands»

Forget the shock: pastel colors by Sébastien Notre – an inner urge that it’s not traumatizing

Managing the territory and its complexity: Gian Maria Tosatti’s portrait of Europe

‘Domingo a las 4’ by Mateo Arciniegas Huertas: being Latin American away from Latin America

Flowers and Art: William Farr puts together flowers and waste materials

Eugenia Pacelli

Paris

Paris Internationale 2023: eco-responsibility, shifting identities, hybridization, excess, eroticism

Multigenerational and inclusive. Paris Internationale presents itself as ‘an unconventional art fair’ that puts the value of collaboration at its center

Eugenia Pacelli

Exhibitions

Green is burning: Andriu Deplazes’ first Italian solo show at Collezione Maramotti

When something is burning it recalls us that «we are closer to the actual war that is happening now than we think we are», explains Deplazes about his exhibition

Eugenia Pacelli

Reggio Emilia, the art field

Europe Matters: Walter Guadagnini discusses Fotografia Europea 2023 in Reggio Emilia

The program also includes OFF circuit, the free and independent section of Fotografia Europea enriched by the initiative of individuals, galleries, associations and public and private institutions

Eugenia Pacelli

Lampoon issue 23, the art field

The Hyman Foundation, London: presenting the Centre for British Photography

Founded by James and Claire Hyman, The Hyman Foundation is adding an addition to their roster that champions British photography – The Centre for British Photography

Eugenia Pacelli

Milan

ArtNoble Gallery, Milan: an implicit critic of what has been painted up until today

Painting today as seen by Martina Cassatella, Roberto de Pinto and Emilio Gola. Group exhibition curated by Antonio Grulli at Matthew Noble’s gallery – ArtNoble Gallery

Eugenia Pacelli

Exhibitions, the art field

Art growing out of complexities. LIAF2022 curated by Francesco Urbano Ragazzi

«Abandon your belongings, you who enter! And leave your expectations». Francesco Urbano Ragazzi’s LIAF2022, questioning preconceived notions and crucial contemporary debates

Eugenia Pacelli

Exhibitions

Leiko Ikemura’s evocative imaginary: cosmic landscapes and hybrid figures

Japanese-Swiss artist Leiko Ikemura showing in-between creatures and possibilities of representation of self in Riding The Waves at Tim Van Laere Gallery in Antwerp

Eugenia Pacelli

Exhibitions

In conversation with McArthur Binion: «my work is tremendously about hands»

«The hesitation is in the way I speak». American artist McArthur Binion challenges Minimalism art history by layering personal objects behind geometric grids

Eugenia Pacelli

Exhibitions

Forget the shock: pastel colors by Sébastien Notre – an inner urge that it’s not traumatizing

«I don’t want to do things to shock people». Soft is often a synonymous of weak. Pastel colors allow the artist to show the contrast between strong images and soft colors

Eugenia Pacelli

Humanities

Managing the territory and its complexity: Gian Maria Tosatti’s portrait of Europe

«I want to know. Not believe. Not guess. I want to know» – Gian Maria Tosatti: not knowing what’s going on in ones’ territory can be a choice, but when it’s not, it’s a threat

Eugenia Pacelli

Lampoon Issue 24

‘Domingo a las 4’ by Mateo Arciniegas Huertas: being Latin American away from Latin America

Mateo Arcniegas Huertas, together with ACOMPI displays sixteen photographs of the Latin American immigrant community on the Salgado Playground in Buskwick, where they meet, play soccer and found a way to feel at home

Eugenia Pacelli

Humanities

Flowers and Art: William Farr puts together flowers and waste materials

«It’s a statement on nature, detritus, about chaos and about human hunt». William Farr’s artworks questioning on materialistic obsessions and human assumptions

Eugenia Pacelli

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PROTOTIPO / STORE

lampoon magazine dot com

lampoon dot it

PROTOTIPO / STORE

Eugenia Pacelli

Paris Internationale 2023: eco-responsibility, shifting identities, hybridization, excess, eroticism

Green is burning: Andriu Deplazes’ first Italian solo show at Collezione Maramotti

Europe Matters: Walter Guadagnini discusses Fotografia Europea 2023 in Reggio Emilia

The Hyman Foundation, London: presenting the Centre for British Photography

ArtNoble Gallery, Milan: an implicit critic of what has been painted up until today

Art growing out of complexities. LIAF2022 curated by Francesco Urbano Ragazzi

Leiko Ikemura’s evocative imaginary: cosmic landscapes and hybrid figures

In conversation with McArthur Binion: «my work is tremendously about hands»

Forget the shock: pastel colors by Sébastien Notre – an inner urge that it’s not traumatizing

Managing the territory and its complexity: Gian Maria Tosatti’s portrait of Europe

‘Domingo a las 4’ by Mateo Arciniegas Huertas: being Latin American away from Latin America

Flowers and Art: William Farr puts together flowers and waste materials

Eugenia Pacelli

Paris Internationale 2023: eco-responsibility, shifting identities, hybridization, excess, eroticism

Green is burning: Andriu Deplazes’ first Italian solo show at Collezione Maramotti

Europe Matters: Walter Guadagnini discusses Fotografia Europea 2023 in Reggio Emilia

The Hyman Foundation, London: presenting the Centre for British Photography

ArtNoble Gallery, Milan: an implicit critic of what has been painted up until today

Art growing out of complexities. LIAF2022 curated by Francesco Urbano Ragazzi

Leiko Ikemura’s evocative imaginary: cosmic landscapes and hybrid figures

In conversation with McArthur Binion: «my work is tremendously about hands»

Forget the shock: pastel colors by Sébastien Notre – an inner urge that it’s not traumatizing

Managing the territory and its complexity: Gian Maria Tosatti’s portrait of Europe

‘Domingo a las 4’ by Mateo Arciniegas Huertas: being Latin American away from Latin America

Flowers and Art: William Farr puts together flowers and waste materials